A Desert: Highbrow Meets Lowbrow in Joshua Erkman's Horror Debut

Joshua Erkman’s feature debut, *A Desert*, presents a unique blend of horror that juxtaposes highbrow art discourse with the gritty realities of low-life characters. The film follows photographer Alex, played by Kai Lennox, as he navigates the desolate landscapes of California’s Yucca Valley, capturing images of abandoned structures and engaging with the local populace in a manner that reflects both curiosity and detachment.

The Guardian

The narrative begins with Alex, who is depicted as an artist more interested in the aesthetics of decay than the lives of the people around him. His interactions with a trailer-trash couple, portrayed by Zachary Ray Sherman and Ashley Smith, lead to a chaotic party scene that serves as a turning point in the film. Following this, the story shifts focus to Alex’s wife, Sam (Sarah Lind), and private detective Harold (David Yow), who also traverse the eerie highways of the valley, suggesting a thematic exploration of isolation and moral blindness.

The Guardian

Erkman, alongside director of photography Jay Keitel, employs a visual style reminiscent of both Joel Meyerowitz's Americana and the "ruination porn" of Yves Marchand and Romain Meffre. This aesthetic choice emphasizes the beauty of the economically depressed landscape while simultaneously critiquing the superficiality of those who exploit it for artistic gain. The film's conclusion hints at a deeper commentary on the human evils that lurk beneath the surface, though some critics argue that the message lacks profundity.

The Guardian

While *A Desert* has been noted for its craftsmanship and originality, it has also faced criticism for its pretentiousness, particularly among traditional horror enthusiasts. The film's blend of highbrow and lowbrow elements may alienate viewers seeking straightforward horror experiences. Critics have likened it to other recent films in the genre, such as *I Saw the TV Glow* and *Hereditary*, suggesting that it occupies a niche space within the horror landscape that may not appeal to all audiences.

The Guardian

In reviews, critics have acknowledged the film's artistic merits while also highlighting its potential shortcomings. One review noted, “Erkman and Keitel really nail the artbook view of the economically depressed west,” emphasizing the film's visual allure despite its narrative flaws.

The Guardian

• “It’s perhaps not a very profound message, but the visual and editing styles are swoony and most bewitching.” — The Guardian

The Guardian

*A Desert* stands as a distinctive entry in the horror genre, merging artistic ambition with a critique of societal neglect. While it may not resonate with all horror fans, its exploration of the intersection between art and exploitation offers a thought-provoking experience for those willing to engage with its complexities.

The Guardian