Ibrahim Mahama: A Milestone for African Art in Global Recognition

Ghanaian artist Ibrahim Mahama has made history by becoming the first African to be named the most influential figure in the art world according to ArtReview magazine’s annual power list. This recognition places Mahama at the forefront of contemporary art, a position he expressed as both humbling and inspiring. He noted, “For me to be part of this, especially coming from a place like Ghana, which for many years was almost as if we were not even part of the discourse, is quite humbling.” Mahama's work, which often incorporates found materials such as textile remnants and discarded objects, reflects a deep engagement with history and community.

The Guardian

ArtReview's power list is compiled by a global panel of thirty anonymous experts and has been published for 24 years. The 2025 list showcases a notable shift in the art world's power dynamics, with several artists and curators from the Middle East and Africa featured prominently. Mark Rappolt, ArtReview’s editor-in-chief, remarked on this shift, suggesting a realignment of global financial power within the art sector. The top ten includes influential figures such as Sheikha Al-Mayassa bint Hamad bin Khalifa Al-Thani from Qatar at No. 2, and Egyptian artist Wael Shawky at No. 4.

The Guardian

Ibrahim Mahama's artistic practice is characterized by the use of unconventional materials, including old hospital beds and discarded train carriages, which he transforms into compelling art objects. His recent exhibition, "Songs About Roses," held at Edinburgh’s Fruitmarket Gallery, was praised for its profound engagement with Ghana's railway history, likening it to a "great magic-realist novel." Additionally, Mahama's installation at the Barbican, which featured 2,000 square meters of bright pink fabric, exemplifies his innovative approach to large-scale art.

The Guardian

In 2019, he established the Savannah Centre for Contemporary Art in Tamale, a multifaceted space that serves as an exhibition venue, library, residency, archive, and studio. Rappolt highlighted Mahama's role in his community, stating that he embodies a model of an artist who is not solely focused on individual genius but is also deeply rooted in communal engagement.

The Guardian

While Mahama's recognition is celebrated, some critics may argue that the art world's focus on individual accolades can overshadow collaborative efforts and community-based practices. However, Mahama's work appears to bridge this gap, emphasizing the importance of community in his artistic endeavors.

The Guardian

• “For me to be part of this, especially coming from a place like Ghana, which for many years was almost as if we were not even part of the discourse, is quite humbling.” — Ibrahim Mahama, Artist

The Guardian

• “He’s not acting as this classic idea of the sole artist producing his own the flashes of genius, but also as a person who’s part of a community.” — Mark Rappolt, Editor-in-Chief, ArtReview

The Guardian

Ibrahim Mahama's ascent to the top of ArtReview's power list marks a significant moment for African representation in the global art scene. His work not only challenges traditional narratives but also inspires a new generation of artists in Ghana and beyond, reinforcing the notion that contemporary discourse is inclusive of diverse voices and backgrounds.

The Guardian