Matthew Ball: A Deep Dive into the Life of a Royal Ballet Principal

Matthew Ball, a principal dancer with the Royal Ballet, has garnered attention for his impressive performances and striking presence on stage. At 31, Ball's career trajectory has been notable; he joined the Royal Ballet School at age 11 and quickly ascended through the ranks, achieving the title of principal in 2018. His roles often delve into complex emotional narratives, such as the troubled Crown Prince Rudolf in Kenneth MacMillan's *Mayerling* and the doomed poet Des Grieux in *Manon*. Ball's physicality and dramatic flair have made him a sought-after performer, both in the UK and internationally.

The Guardian

Ball's next project is an innovative “Evening With Matthew Ball” event, produced by Fundamentally Dance, which aims to provide audiences with insights into a dancer's craft. This live series will feature a “walk and talk” format, allowing Ball to share his thought process while performing. He recently stepped outside his usual dramatic roles to portray Colas in Frederick Ashton’s *La Fille Mal Gardée*, a lighter ballet that challenged him to adapt his performance style. Ball describes the technical demands of *Don Quixote* as particularly grueling, emphasizing the mental fatigue that accompanies the physical exertion.

The Guardian

In interviews, Ball reflects on his artistic journey, revealing a mix of energy and introspection. He acknowledges a "dark side" that fuels his performances, stating, “I do have a dark side, and when I go there I’m quite internal.” This complexity is rooted in his competitive upbringing, where he often felt the need to prove himself, particularly as the youngest of four siblings. His parents, while not pushy, encouraged his passion for dance, with his mother teaching dance and his father engaging in drama.

The Guardian

Ball's relationship with fellow Royal Ballet principal Mayara Magri is both personal and professional. The couple has collaborated on duets, showcasing a high level of trust and support in their performances. Ball describes their dynamic as one of mutual encouragement, stating, “I feel like we’re each other’s favourite cheerleader.” Despite the challenges of balancing their careers, they find strength in their partnership, often sharing their experiences on social media.

The Guardian

As Ball contemplates the next decade of his career, he expresses a desire for personal growth and a gentler approach to his ambitions. He acknowledges the disparity between youthful dreams and adult realities, stating, “I don’t feel disappointed or disenchanted; I enjoy a lot of what I do.” His upcoming performance on December 14 at the Royal Academy of Music will further showcase his artistic evolution.

The Guardian

• “I really enjoy flirting with that edge.” — Matthew Ball, Principal Dancer

The Guardian

• “I feel very aware of how life is a different reality to the dreams you made as a young person,” — Matthew Ball, reflecting on his career

The Guardian

Matthew Ball continues to captivate audiences with his artistry and depth, embodying the complexities of a modern ballet dancer while navigating the challenges of a demanding profession.

The Guardian