June Squibb Shines in Scarlett Johansson's Directorial Debut, "Eleanor the Great"

June Squibb, at the age of 96, stars in "Eleanor the Great," directed by Scarlett Johansson in her directorial debut. The film follows Eleanor Morgenstein, a 94-year-old woman who, after losing her best friend Bessie, relocates from Florida to New York to be closer to her daughter. Struggling with loneliness, Eleanor inadvertently adopts Bessie’s Holocaust survival story, leading to complex interactions with a young journalism student, Nina, played by Erin Kellyman.

The GuardianHaaretzScarlett Johansson In Talks For “The Batman Part II”Scarlett Johansson in Talks for ‘The Batman Part II’

The film explores profound themes of grief and the loneliness of old age. Squibb's character, Eleanor, grapples with her loss while seeking connection in a support group for Holocaust survivors. Critics have raised ethical concerns regarding Eleanor's deception, suggesting that faking a Holocaust experience is morally indefensible. However, Squibb offers a more empathetic view, stating, “I do think that Eleanor’s need was to be close to Bessie... It does bring her closer.”

The Guardian

The production fostered genuine connections among the cast. Squibb and Kellyman became friends during filming, sharing meals and experiences in New York. Squibb described Johansson as “wonderful” and praised her openness throughout the filming process. The film also features real-life Holocaust survivors, adding authenticity to the narrative. Squibb noted the welcoming nature of these individuals, emphasizing the collaborative spirit on set.

The Guardian

In discussing her experiences, Squibb reflects on societal perceptions of aging, particularly regarding sexuality. She asserts, “Everyone thinks older people aren’t sexual but I think about sex.” Furthermore, she expresses concern about the current political climate, stating, “It worries me... I’m just appalled,” referencing the resurgence of hate symbols like the swastika.

The Guardian

Scarlett Johansson faced challenges during the film's production, including losing a financial backer who objected to the Holocaust elements. Despite this, she remained committed to the film's vision. Squibb, reflecting on her own experiences with grief, shared insights on coping, particularly after the loss of her husband, emphasizing the importance of looking ahead.

The Guardian

• “I think people are interested, so no, it’s not a bad thing,” — June Squibb

The Guardian

• “I do think that Eleanor’s need was to be close to Bessie and [the support group is] where she needs to do this.” — June Squibb

The Guardian

• “I’m just appalled.” — June Squibb

The Guardian

"Eleanor the Great" not only showcases June Squibb's remarkable talent but also addresses significant themes of grief and the human experience in old age. As Johansson embarks on her directorial journey, the film stands as a testament to the complexities of life, loss, and the enduring quest for connection.

The Guardian