Antonio Pappano Champions British Composers in Concert

Antonio Pappano led the London Symphony Orchestra (LSO) in a concert that highlighted British composers, featuring Thea Musgrave's *Phoenix Rising*, William Walton's *Viola Concerto*, and Ralph Vaughan Williams' *A London Symphony*. The performance took place at the Barbican and was dedicated to the late conductor Andrew Davis, a significant figure in British music.

The Guardian

The concert opened with *Phoenix Rising*, a 23-minute piece by Thea Musgrave, who continues to compose at the age of 97. The work presents a dramatic interplay between a timpanist and a horn player, enhanced by a vibrant array of percussion instruments, including marimba and vibraphone. Pappano's direction brought out the piece's whimsical and magical elements.

The Guardian

Following this, Antoine Tamestit performed Walton's *Viola Concerto*, which premiered in 1929. Tamestit's performance was noted for its emotional depth, particularly in the opening movement, where he showcased a soulful tone. The concerto's lively scherzo allowed him to exhibit a playful spirit, culminating in a finale that balanced romanticism with vigor.

The Guardian

The concert concluded with Vaughan Williams' *A London Symphony*, a work that paints an affectionate portrait of London. Pappano's interpretation emphasized the symphony's impressionistic qualities, drawing comparisons to composers like Claude Debussy and Ottorino Respighi. The performance captured the essence of the city, from its bustling streets to the poignant reflections of a fading empire.

The Guardian

Antonio Pappano expressed his commitment to British music, stating that the concert was a testament to the richness of the repertoire. The LSO's performance was described as "superbly played and incisively conducted," highlighting the orchestra's ability to convey the emotional and dramatic nuances of the works performed.

The Guardian

While the concert received praise, some critics noted that Walton's *Viola Concerto* remains underperformed in comparison to other works in the classical canon. This raises questions about the broader recognition of British compositions in concert programming.

The Guardian

• “Pappano and the London Symphony Orchestra gave it a thorough workout with marimba, vibraphone, glockenspiel, xylophone and tubular bells creating a magical aura.” — The Guardian

The Guardian

• “The breathtaking weightlessness of the opening strings, the haunting street cries, and the bustle of the Embankment at night led inexorably to the vast, aching finale with its palpable aura of fading empire.” — The Guardian

The Guardian

This concert not only showcased the talents of contemporary and historical British composers but also reinforced the importance of continuing to explore and celebrate this rich musical heritage.

The Guardian