Felicity Kendal Shines in Tom Stoppard's _Indian Ink_ Revival

The revival of Tom Stoppard's 1995 play _Indian Ink_ at Hampstead Theatre marks a poignant moment in the theatrical landscape, occurring shortly after the playwright's death. This production serves as a tribute to Stoppard's exploration of literary posterity, focusing on Flora Crewe, an Edwardian poet navigating her relationships in colonial India. The play critiques the inaccuracies of biographical narratives, embodied by the character Eldon Pike, an American academic whose intentions to document Flora's life are portrayed as misguided and sensationalist.

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Felicity Kendal, who originally starred as Flora Crewe, now takes on the role of Eleanor Swan, Flora's sister. In the 1980s-set scenes, Eleanor grapples with an intrusive biographer while reflecting on her sister's complex relationships. Kendal's performance has been noted for its depth, transitioning between strength and vulnerability, a testament to her familial legacy as the daughter of a theatre-loving mother. The production's emotional weight is amplified by Kendal's personal connection to the material, as the play is dedicated to her mother, Laura.

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Stoppard's _Indian Ink_ delves into Britain's imperial past, with Flora's sharp observations highlighting the absurdities of colonial attitudes. The interplay of personal and political themes resonates throughout the narrative, as characters navigate their identities against the backdrop of historical complexities. Kendal emphasizes the importance of understanding the text without overanalyzing it, suggesting that the play's richness lies in its inherent complexities rather than in personal interpretations.

The Guardian

The revival has garnered attention for its strong performances, particularly Kendal's portrayal of Eleanor, which balances nostalgia and regret. Critics have praised the entire cast, including Ruby Ashbourne Serkis as Flora, for their ability to convey the emotional nuances of Stoppard's writing. The production, directed by Jonathan Kent, has been described as a fitting homage to Stoppard's legacy, capturing the essence of his work while also reflecting on the themes of loss and remembrance.

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Kendal has expressed her admiration for Stoppard's genius, noting his ability to weave intricate narratives filled with wit and complexity. She remarked on the collaborative nature of the rehearsal process, highlighting the importance of understanding the rhythm and style of Stoppard's writing. The Hampstead Theatre has acknowledged Stoppard's involvement in the production, stating that he contributed to revisions of the text before his passing.

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• “It’s a play that I always thought I’d like to go back to.” — Felicity Kendal

The Guardian

• “He [Stoppard] has done the digging, don’t mess yourself up with any more.” — Felicity Kendal

The Guardian

• “It’s one of his more emotional plays,” — Felicity Kendal

The Guardian

• “He was thought of as an English writer but he wasn’t in any manner or form. The artist isn’t owned by anybody. Flora dies, but goes on because of her writing. It’s a lovely play to be doing now – because the artist goes on.” — Felicity Kendal

The Guardian

The revival of _Indian Ink_ not only honors Tom Stoppard's contributions to theatre but also showcases Felicity Kendal's formidable talent. As the first production following Stoppard's death, it serves as a reminder of the enduring impact of his work, inviting audiences to reflect on the complexities of identity, history, and the power of art.

The Guardian