Metropolitan Opera's New Production of Bellini's "I Puritani"

The Metropolitan Opera has launched a new production of Vincenzo Bellini's "I Puritani," marking the first staging of this opera in nearly 50 years. Directed by Charles Edwards, who makes his Met directorial debut, the production opened on New Year's Eve and will run through January 18, 2026. This performance is significant as it is only the third production of "I Puritani" in the Met's history, with the opera being performed just 64 times since its debut.

Review Roundup: I PURITANI at the Metropolitan Opera

The production features a talented cast led by soprano Lisette Oropesa as Elvira and tenor Lawrence Brownlee as Arturo. They are joined by baritone Artur Rucinski as Riccardo and bass-baritone Christian Van Horn as Giorgio. The opera, set during the English Civil War, explores themes of political division and personal loyalty through Bellini's signature long lyrical vocal lines. Critics have praised Oropesa's and Brownlee's performances, highlighting their technical prowess and emotional depth. Oropesa's portrayal of Elvira is noted for its agility and expressiveness, while Brownlee's tenor has been described as bright and effortless.

Review Roundup: I PURITANI at the Metropolitan Opera

While the vocal performances have received acclaim, Edwards' directorial choices have drawn mixed reviews. Critics have pointed out that while the set design is visually appealing, some of the stage direction detracts from the drama. For instance, the portrayal of Elvira as a painter surrounded by self-portraits has been criticized as overly literal and distracting. Additionally, the inclusion of a young Arturo apparition has been viewed as unnecessary, suggesting a lack of confidence in the storytelling.

New York Classical Review

The production has sparked discussions about the resurgence of bel canto opera at the Met, with many viewing it as a positive development for the genre. The successful performances of "I Puritani," alongside other Bellini operas like "La Sonnambula," indicate a renewed interest in these works, which have been less frequently staged in recent years. The opera's themes of love and madness resonate with contemporary audiences, further solidifying its relevance.

New York Classical Review

While many reviews celebrate the vocal performances, there is a notable divergence in opinions regarding the effectiveness of Edwards' direction. Some critics argue that the staging choices undermine the emotional weight of the opera, while others find them to be a creative interpretation. This discrepancy highlights the subjective nature of theatrical productions and the varied expectations of audiences.

Review Roundup: I PURITANI at the Metropolitan Opera

• “Oropesa’s tone and technique were ideal for the role.” — New York Classical Review

New York Classical Review

• “The major thing that lets down this Puritani is Edwards’ production.” — New York Classical Review

New York Classical Review

As "I Puritani" continues its run, it remains to be seen how audiences will respond to both the vocal artistry and the directorial vision, shaping the future of bel canto opera at the Metropolitan Opera.

Review Roundup: I PURITANI at the Metropolitan Opera