The Complex Dynamics of Orphans at Jermyn Street Theatre

Lyle Kessler's play "Orphans," currently staged at the Jermyn Street Theatre in London, explores the intricate dynamics between two brothers and an unexpected intruder, Harold. Set in a dilapidated Philadelphia home, the narrative unfolds as Harold, initially appearing as a victim, gradually asserts his dominance over the brothers, Phillip and Treat. This power struggle is central to the play's emotional tension and thematic depth.

The Guardian

The family consists of two brothers: Phillip, portrayed by Fred Woodley Evans, is the younger, more vulnerable sibling who is seemingly housebound. In contrast, Treat, played by Chris Walley, is more assertive and engages in petty theft outside their home. The arrival of Harold, acted by Forbes Masson, disrupts their isolated existence. Harold's character is layered, revealing his own traumatic upbringing as an orphan, which resonates with the brothers' experiences and complicates their relationship.

The Guardian

The play delves into themes of orphanhood and familial dysfunction. Harold's interactions with the brothers highlight their shared sense of abandonment and the struggle for identity. He attempts to mentor Phillip, encouraging him to venture beyond their confined world, while simultaneously trying to mold Treat into a criminal figure. This duality creates a complex emotional landscape, where vulnerability and aggression coexist.

The Guardian

Directed by Al Miller, the production effectively builds a sense of claustrophobia and tension, immersing the audience in the brothers' troubled dynamics. The performances of the three actors are particularly noteworthy, as they convincingly portray the characters' power struggles and emotional turmoil. However, the play's pacing and certain thematic elements, such as unexplained bigotry, have drawn criticism for feeling incomplete or unresolved.

The Guardian

Critics have pointed out that while the performances are compelling, the play's exploration of deeper societal issues, such as bigotry and the characters' fears of the outside world, lacks clarity. Some argue that these elements could have been developed further to enhance the narrative's impact. The play has been described as a "peculiar gem of a revival," indicating a mix of admiration for its performances and disappointment in its thematic execution.

The Guardian

• “Photograph: Charlie Flint Harold’s presence is emotional kindle, messing with the power dynamic between the brothers, and he is, like Pinter’s men, a quietly chilling presence, bearing the potential for violence.” — The Guardian

The Guardian

• “It is smartly directed by Al Miller, building claustrophobia and tension, but the play is stalled by its own setup, teetering into what might be symbolic or surreal ground, and not going far enough in the relationship between the brothers and Harold.” — The Guardian

The Guardian

• “What stands out, ultimately, and holds you breathless, are the performances of the three actors.” — The Guardian

The Guardian

In summary, "Orphans" at Jermyn Street Theatre presents a gripping exploration of familial relationships and the complexities of orphanhood, anchored by strong performances but challenged by its thematic execution.

The Guardian