New Documentary Explores the Legacy of Robert Christgau

A new documentary titled _The Last Critic_ will premiere at the South by Southwest (SXSW) Film Festival in March 2024. Directed by Matty Wishnow, the film focuses on Robert Christgau, often referred to as the "Dean of American Rock Critics." The documentary features contributions from notable figures in music and literature, including Randy Newman, Boots Riley, and Colson Whitehead, who is known for his work as a writer for the Village Voice and as a novelist.

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The film includes insights from a diverse array of critics, such as Greil Marcus, Ann Powers, Rob Sheffield, Amanda Petrusich, and Kelefa Sanneh. Notably, Thurston Moore of Sonic Youth, who has a contentious history with Christgau, contributes to the narrative, reflecting on their past rivalry. The documentary aims to capture the complexity of Christgau's influence on music criticism, highlighting his ability to inspire and provoke readers over a career spanning sixty years.

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_The Last Critic_ features music from various artists, including Randy Newman, Yo La Tengo, the Feelies, and Gina Birch. The film's synopsis emphasizes Christgau's ongoing engagement with music criticism, stating that he continues to "grade records, interrogate commas & listen to absolutely everything (except metal & prog)" even in his eighties. This dedication to his craft underscores the significant role he has played in shaping rock journalism.

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The SXSW Film Festival has included _The Last Critic_ in its Documentary Feature Competition, indicating the film's anticipated impact within the festival circuit. The festival's selection highlights the relevance of Christgau's work in contemporary discussions about music and criticism.

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While the documentary celebrates Christgau's contributions, it also acknowledges the polarized opinions surrounding his critiques. Some critics argue that his approach can be overly dismissive, particularly towards genres like metal and progressive rock, which he has notably excluded from his reviews. This aspect of his legacy may provoke discussion among audiences regarding the inclusivity of music criticism.

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Following its premiere at SXSW, _The Last Critic_ is expected to generate discussions about the evolution of music criticism and the role of critics in the digital age. The film aims to engage both fans of Christgau and those interested in the broader implications of music journalism.

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• “I Killed Christgau With My Big Fucking Dick,” — Thurston Moore, reflecting on his past rivalry with Christgau.

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