Grammy Nominations Exclude Interpolated Songwriters: A Controversial Rule

The recent Grammy nominations have sparked controversy regarding the exclusion of songwriters whose works are interpolated in nominated songs. Notably, Mike Chapman and Nicky Chinn, co-writers of the iconic 1982 hit "Mickey," found themselves ineligible for a nomination for their contribution to Bruno Mars and BLACKPINK's "APT." Despite being credited as songwriters, the Recording Academy's strict rules regarding interpolation disqualified them from recognition.

‘Mickey’ Gives ‘APT.’ a Hook — So Why Aren’t Interpolated Songwriters Grammy Eligible?

The Recording Academy's policy on interpolations and sampling has evolved, allowing such elements in Grammy nominations since a 2014 rule change. However, the song of the year category specifically honors new works, leading to the exclusion of original creators like Chapman and Chinn when their older songs are interpolated. This rule has gained attention as interpolations have become increasingly prevalent in contemporary music, often driven by platforms like TikTok and Instagram, which favor catchy, recognizable hooks.

‘Mickey’ Gives ‘APT.’ a Hook — So Why Aren’t Interpolated Songwriters Grammy Eligible?

Mike Chapman and Nicky Chinn are notable figures in this debate, having created "Mickey," which has influenced modern hits. Justin Shukat, president of Primary Wave Music, and Deborah Mance-Gardner, president of DMG Clearances, provide industry insights into the growing trend of interpolation as a form of homage. Evan Bogart, co-chair of the Academy's songwriters and composers wing, articulates the Academy's stance, emphasizing that the awards are intended to honor new creative works rather than older songs.

‘Mickey’ Gives ‘APT.’ a Hook — So Why Aren’t Interpolated Songwriters Grammy Eligible?

Critics argue that the current Grammy rules fail to acknowledge the contributions of original songwriters. Amy Birnbaum, senior A&R director at Round Hill Music, highlights the importance of recognizing original creators like Brazilian composer Luis Bonfá, whose work is sampled in Doechii's nominated song "Anxiety." She advocates for posthumous recognition of Bonfá, suggesting that such acknowledgment could educate audiences about the legacy of original artists.

‘Mickey’ Gives ‘APT.’ a Hook — So Why Aren’t Interpolated Songwriters Grammy Eligible?

Evan Bogart expressed sympathy for the original creators, stating, “Had I been a Grammy voter back then, I might have campaigned for ‘Mickey,’ because I love that song.” He further clarified that the Academy's focus is on honoring those who create new works. Meanwhile, Chapman reflected on his exclusion, noting, “It’s odd, isn’t it? The people who gave you the inspiration in the first place are just struck off after the record is made.”

‘Mickey’ Gives ‘APT.’ a Hook — So Why Aren’t Interpolated Songwriters Grammy Eligible?

The Recording Academy may consider updating its rules regarding interpolation, as suggested by Bogart. He indicated that discussions about such changes are ongoing within the industry, reflecting diverse viewpoints on how to fairly recognize contributions from both original and interpolated works.

‘Mickey’ Gives ‘APT.’ a Hook — So Why Aren’t Interpolated Songwriters Grammy Eligible?

This ongoing debate underscores the complexities of music creation and recognition in an evolving industry landscape, raising questions about how best to honor the contributions of all artists involved.

‘Mickey’ Gives ‘APT.’ a Hook — So Why Aren’t Interpolated Songwriters Grammy Eligible?