Full Breakdown
Taiwan's Film Industry Shines at the 2026 Berlinale
2/13/2026, 11:48:11 AM
Taiwan's Diverse Film Presence at EFM
At the 2026 European Film Market (EFM), Taiwan showcases a robust lineup despite having only one official selection in the Berlinale: Zhuang Rong Zuo’s short film “Tutti.” The Taiwan Creative Content Agency (TAICCA) is leading the island's representation with initiatives such as the Taiwan Pavilion and the Taiwan Spotlight Pitching Session. Notable production companies, including Flash Forward Entertainment, GrX Studio, and Pegasus Entertainment, are promoting a variety of films, from action dramas to horror and romance.
Flash Forward Entertainment presents its ambitious slate, highlighted by “A Dance With Rainbows,” a critically acclaimed boxing drama directed by Lee Yi-shan. The film has garnered attention for its action choreography and has already secured distribution rights in Hong Kong. Additionally, the company is behind “Bliss: Beyond the Edge of Time,” a sci-fi anthology that explores Eastern philosophical themes through animated shorts.
Key Projects and Collaborations
Among the projects featured at the EFM, Flash Forward’s “Lotus Feet,” directed by Malaysian Amanda Nell Eu, stands out as a co-production involving Malaysia, Germany, Indonesia, and Taiwan. This body-horror film has received backing from the Hubert Bals Fund. Other notable projects include “The Daughter,” a horror film by Tian Guan, and “Blok 62,” a dystopian thriller that unites multiple countries including Croatia and Serbia.
GrX Studio is promoting “The Photo From 1977,” a period romance starring Korean actor Jung Jin-Young and Taiwanese actress Moon Lee, set against the backdrop of Korea’s student movement. Pegasus Entertainment is marketing three completed films, including “Suffocation,” a horror shot in a single take, and “Summer Blue Hour,” a romantic drama featuring a theme song by Taiwanese singer Cheer Chen.
Emerging Voices and Future Prospects
The Taiwan Spotlight Pitching Session features five projects in development, including Etsen Chen’s LGBTQ-themed “No Money No Honey” and Huang Hui-chen’s social justice drama “Lomá.” The session aims to foster international collaborations and showcase Taiwan's commitment to diverse storytelling.
TAICCA chair Sue Wang emphasized the importance of the EFM as a platform for Taiwanese content, stating, “Through our participation, we aim to bridge the gap between the international community and Taiwan’s creative industries.” This reflects Taiwan's proactive approach to international co-productions and investments, leveraging its multicultural strengths.
Conclusion: A Gateway for Taiwanese Cinema
The 2026 EFM serves as a crucial indicator of global cinema trends and a gateway for Taiwanese filmmakers to engage with international audiences. As Taiwan continues to expand its presence in the global film market, the diverse slate of projects presented at the EFM highlights the island's vibrant creative landscape and its potential for future collaborations.
