Este Haim Advocates for New Composers in Paul Thomas Anderson Films

Este Haim, a member of the band Haim, has expressed her thoughts on Jonny Greenwood's continued collaboration with acclaimed director Paul Thomas Anderson. While Greenwood has received significant recognition for his film scores, including two Oscar nominations for Anderson's films, Haim believes it may be time for a new composer to take the reins. During a recent press event in Berlin, she stated, “If Jonny Greenwood happens to retire, I will be right there for Paul whenever he would like,” highlighting her willingness to step in should the opportunity arise.

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Haim's connection to Anderson is notable; she and her sisters have collaborated with him on numerous music videos over the past decade. Este described Anderson as “one of the greatest directors of not just our generation, but of all time,” indicating her admiration for his work. She also mentioned her enthusiasm for scoring films, specifically referencing her recent project, *Sunny Dancer*, directed by George Jacques.

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Despite Haim's comments, there is a strong argument for Greenwood's ongoing role in Anderson's projects. Critics, including Rolling Stone's David Fear, have praised Greenwood's unique ability to create scores that are deeply integrated with the films' narratives. Fear argues that Greenwood's music functions as a “cinematic call-and-response,” enhancing the overall cinematic experience. He believes that Greenwood's work is so essential to the films that winning an Oscar would be a fitting recognition of his contributions.

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While Este Haim's perspective suggests a desire for fresh talent in film scoring, it is important to note that Greenwood's established relationship with Anderson has yielded critically acclaimed results. Critics may view Haim's comments as a push for diversity in film composition, but they also raise questions about the balance between innovation and tradition in the arts.

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There is a notable divergence in opinions regarding Greenwood's future in film scoring. While Haim advocates for new composers, others, including Fear, strongly support Greenwood's continued involvement. This contrast highlights the ongoing debate within the film industry about the role of established artists versus emerging talent.

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• “If Jonny Greenwood happens to retire, I will be right there for Paul whenever he would like,” — Este Haim, Musician

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• “The synchronization between the music and the rest of the film feels less like one is reverse-engineering the other and closer to something like a cinematic call-and-response; it’s as if Greenwood’s music is conversational instead of reactive,” — David Fear, Rolling Stone Critic

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Este Haim's comments reflect a broader conversation about the future of film scoring and the potential for new voices in the industry, while the support for Greenwood underscores the value of established talent in creating memorable cinematic experiences.

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