Exploring Auteurism in Isiah Medina's "Gangsterism"

Isiah Medina's latest feature, "Gangsterism," serves as a complex examination of auteur theory within the contemporary film landscape. The film presents a narrative centered around Clem, a director grappling with the challenges of financing his artistic vision amidst systemic barriers, including industry racism and economic exclusion. Medina's work is characterized by a dense, high-minded approach that critiques the power hierarchies prevalent in the film industry.

The Guardian

The film reflects a broader discourse on the role of the auteur in cinema, particularly in the 21st century. Medina's narrative is populated by a cast of characters, including Clem and his boyfriend Ez, who engage in philosophical discussions about the nature of creativity and the obstacles faced by filmmakers of diverse backgrounds. The film's thematic focus is underscored by its exploration of how western-centric perspectives can stifle genuine artistic expression.

The Guardian

The central character, Clem, portrayed by Mark Bacolcol, embodies the struggles of modern directors. His interactions with Ez, played by Kalil Haddad, and collaborators Nico (Jonalyn Aguilar) and March (Charlotte Zhang) highlight the collective challenges faced by artists in a system that often marginalizes their voices. The film also introduces a potential antagonist in Erik Berg, a writer who may be leaking Clem's films, adding a layer of chaos to the narrative.

The Guardian

"Gangsterism" raises critical questions about the future of auteurism in an era dominated by digital media and commercial interests. Medina's film challenges viewers to reconsider the value of artistic integrity in the face of systemic obstacles, suggesting that the struggle for authentic expression is a shared experience among filmmakers.

The Guardian

Medina's approach to filmmaking is described as a "cine-manifesto," reflecting his desire to provoke thought and discussion about the nature of cinema. He articulates a belief that true engagement with art involves a willingness to confront uncomfortable truths, stating, “I’ve always felt that if you’ve never felt the desire to destroy your books, then you’ve never really read them.” This sentiment encapsulates the film's exploration of the artistic process and the inherent challenges within it.

The Guardian

While "Gangsterism" has been praised for its radical aesthetics and innovative narrative structure, some critics argue that its dense and self-referential style may alienate mainstream audiences. The film's high-mindedness has drawn comparisons to pretentious artistic expressions, leading to mixed reactions regarding its accessibility and overall impact.

The Guardian

• “‘If cinema was a 19th-century dream actualised in the 20th century through chemistry, then the auteur was a 20th-century dream that needs to be actualised in the 21st through digital.” — Isiah Medina, Director

The Guardian

• “Now I’ve found out that the way my characters talk isn’t human,” — Clem, Character

The Guardian

• “Thinking is being.” — Clem, Character

The Guardian

• “I’ve always felt that if you’ve never felt the desire to destroy your books, then you’ve never really read them,” — Clem, Character

The Guardian

As "Gangsterism" continues to provoke dialogue about the role of the auteur in modern cinema, it is likely to inspire further discussions and analyses of artistic expression in the digital age. The film's reception may influence upcoming projects and the broader discourse surrounding the challenges faced by filmmakers today.

The Guardian