Full Breakdown
The Role of Music in Freestyle Skiing at the Winter Olympics
2/17/2026, 12:07:23 AM
The Impact of Soundtracks on Performance
At the 2026 Winter Olympics in Livigno, Italy, freestyle skiers are increasingly turning to music as a crucial part of their pre-competition routine. Athletes like Canadian skier Evan McEachran rely on high-energy tracks to boost their adrenaline before executing complex jumps in events such as the big air competition. McEachran, who listens to hardcore rap to get motivated, emphasizes the importance of music in enhancing his focus and energy levels. “If I’m feeling like I’m a little low on energy, I’ll put on some high-tempo music,” he stated, highlighting how essential music is to his preparation.
Swiss skier Nils Rhyner shares a similar sentiment, opting for hardcore punk to help him concentrate and get pumped up before his runs. “I just listen to the song that taps me up the most every contest,” Rhyner explained, indicating that music serves as a personal motivator during competitions.
Varied Musical Preferences Among Athletes
While some athletes find motivation in upbeat genres, others adapt their musical choices based on the type of event. For instance, McEachran prefers soothing tracks like Frank Ocean or country music during slopestyle events, which require a more fluid and relaxed approach. “If I feel a little overwhelmed then it’s the calm stuff you know,” he noted, suggesting that different styles of music can cater to varying emotional states.
Conversely, not all athletes agree on the benefits of listening to music while competing. Matej Svancer from Austria, who secured the second-best qualifying time, believes that music can hinder body orientation during tricks. “If you got the earplugs in there, it’s like a sense that you’re shutting down because you can’t feel the speed anymore,” Svancer remarked, indicating that music might detract from the sensory awareness needed for successful performances.
The Balance Between Focus and Distraction
Defending big air gold medalist Birk Ruud has also moved away from using music during competitions, stating that it became a distraction from the pressure of the moment. “When I compete, I want to stay present and aware,” Ruud explained, emphasizing the importance of being attuned to one’s surroundings.
However, for some skiers, music serves as a calming influence during the anxious moments leading up to their jumps. Swiss skier Andri Ragettli articulated this perspective, saying, “The music brings you in the zone, and the time goes by.” He noted that once in the air, the music fades into silence, underscoring the complex relationship between music and performance in high-stakes environments.
Conclusion
The use of music among freestyle skiers at the Winter Olympics illustrates a diverse range of preferences and strategies. While some athletes find that music enhances their performance and focus, others prefer to compete without it to maintain awareness and balance. This ongoing debate reflects the broader complexities of how athletes prepare for and execute their routines in extreme sports.
