Exploring Justice and Power in Sophie Ward's *Our Better Natures*

Sophie Ward's novel *Our Better Natures* delves into the complexities of justice, freedom, and power through the interconnected stories of three women in the 1970s United States. The narrative unfolds against the backdrop of significant historical events, including the Manson Family trials and protests against the Vietnam War, as it explores the personal and societal struggles of its characters.

The Guardian

Set in 1971, the novel features two real figures—Andrea Dworkin and Muriel Rukeyser—and one fictional character, Phyllis Patterson. Dworkin, escaping an abusive marriage, attends a pivotal debate between Noam Chomsky and Michel Foucault on justice and power. Rukeyser, a poet, is actively involved in protests, while Phyllis navigates her relationship with her Korean daughter-in-law, June, after her son returns from military service in South Korea. The narrative structure allows for a rich exploration of how these women confront their individual and collective challenges in a tumultuous era.

The Guardian

Phyllis emerges as a central figure, evolving from a querulous housewife to a more self-aware individual. Her journey is marked by personal loss and the realization of shared experiences with June, which culminates in a poignant understanding of their respective backgrounds. The novel illustrates how Phyllis learns to view her life through June's perspective, fostering empathy and connection.

The Guardian

Ward's portrayal of Dworkin is notable for its ambition, as she attempts to animate Dworkin's thoughts and philosophies. However, some readers may find the direct presentation of Dworkin's internal monologue to be less authentic compared to the fictional characters. The interplay between real and imagined figures raises questions about the nature of justice and the role of power in shaping personal narratives.

The Guardian

While the novel presents a compelling exploration of justice, it also reflects Ward's ambivalence regarding revolutionary activism. The characters grapple with the effectiveness of their efforts to create a more just world, questioning whether personal actions can lead to broader societal change. This tension is evident in Rukeyser's acceptance of potential failure, suggesting a nuanced view of activism's limitations.

The Guardian

Ward's narrative suggests that justice is often intertwined with power dynamics, as illustrated through Dworkin's engagement with philosophical debates. The characters' experiences resonate with contemporary discussions about the nature of justice and the challenges of achieving it in a world shaped by systemic inequalities.

The Guardian

• “She thought, This is it. This is my time. I am alive and I have work to do. I must start now.” — Andrea Dworkin

The Guardian

• “When Phyllis’s husband Boyd dies through an act of sacrifice on June’s behalf, Phyllis becomes aware of “anger like a stone in your stomach”, making it hard to forgive June.” — Sophie Ward

The Guardian

• “There’s not much hope for justice in the wider world in this novel, any more than there is in ours now, and Ward seems quite consciously to be writing from one world to another.” — Sophie Ward

The Guardian

*Our Better Natures* ultimately portrays the struggle for justice as a deeply personal journey, reflecting the complexities of human relationships and societal expectations. Ward's exploration of these themes invites readers to consider the interplay between personal and political realms, emphasizing the importance of empathy and understanding in the pursuit of justice.

The Guardian