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Murakami's Exhibition Redefines Ukiyo-e in L.A.

2/19/2026

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Summary

Story summary

Takashi Murakami, the Japanese artist, presents 24 paintings in Hark Back to Ukiyo-e: Tracing Superflat to Japonisme’s Genesis at Perrotin Los Angeles.
The exhibition reinterprets ukiyo-e masters and Monet.
It reflects Japan's historical chaos and Murakami's disconnection, influenced by the Shogun series.
Critics say Made in L.A. at the Hammer Museum lacks the anti-market spirit, signaling a shift in the city's identity.

History

Historical Context

The Japonisme movement began in the mid-19th century, following Japan's reopening to foreign trade in 1858. This cultural exchange captivated Western artists, notably Vincent van Gogh and Claude Monet, who drew inspiration from ukiyo-e prints. Takashi Murakami's recent exhibition at Perrotin Los Angeles highlights this ongoing dialogue, showcasing how contemporary art continues to engage with historical influences and market dynamics.

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Story summary

Takashi Murakami, the Japanese artist, presents 24 paintings in Hark Back to Ukiyo-e: Tracing Superflat to Japonisme’s Genesis at Perrotin Los Angeles.
The exhibition reinterprets ukiyo-e masters and Monet.
It reflects Japan's historical chaos and Murakami's disconnection, influenced by the Shogun series.
Critics say Made in L.A. at the Hammer Museum lacks the anti-market spirit, signaling a shift in the city's identity.

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