Rediscovering Johann Ludwig Bach: The Leipzig Cantatas

In a surprising turn of musical history, Johann Sebastian Bach's decision to perform a set of 18 cantatas by his distant cousin, Johann Ludwig Bach, in 1726 has led to the rediscovery of a remarkable body of work. This four-disc set, featuring the first-ever recordings of these cantatas by Capella Sollertia, showcases the melodic and dramatic prowess of Johann Ludwig Bach, who served as cantor and later kapellmeister in Meiningen until his death in 1731.

The Guardian

Johann Ludwig Bach, born in 1677 near Eisenach, was part of a family renowned for its musical contributions. Despite the lack of evidence indicating a personal relationship between Johann Sebastian and Johann Ludwig, the meticulous copying of Johann Ludwig's works by Johann Sebastian has preserved these cantatas, which might have otherwise been lost. This familial connection highlights the broader context of the Bach family's influence on Baroque music.

The Guardian

The cantatas of Johann Ludwig Bach exhibit a unique blend of Italianate melodies and French courtly grace, characterized by imaginative word painting. The Easter cantata, "Denn du wirst meine Seele nicht in der Hölle lassen," exemplifies this style and was once misattributed to Johann Sebastian as BWV 15. The performances by Capella Sollertia, under the direction of Johanna Soller, bring these compositions to life with a fresh and vibrant sound, showcasing the depth of Johann Ludwig's musical artistry.

The Guardian

Critics have praised the album for its historical significance and musical quality. The Guardian's review describes the performances as "thoroughly idiomatic" and commends the engineering quality of the recordings, noting that they represent a "remarkable rediscovery" of a significant yet overlooked composer. The review encourages listeners to explore this treasure trove of music, emphasizing its potential to resonate with fans of Johann Sebastian Bach.

The Guardian

While the rediscovery is celebrated, some musicologists express curiosity about the lack of documented interaction between the two composers. The absence of evidence regarding their relationship raises questions about how Johann Sebastian came to possess and perform Johann Ludwig's works. This mystery adds an intriguing layer to the narrative of the Bach family and their musical legacy.

The Guardian

• “A remarkable rediscovery, warmly recommended.” — The Guardian

The Guardian

• “Unbelievably, Capella Sollertia’s thoroughly idiomatic performances represent the first ever recordings of these cantatas, nearly five-and-a-half hours of music, some of which could easily pass for the work of JS Bach himself.” — The Guardian

The Guardian

The release of "The Leipzig Cantatas" is likely to spark renewed interest in Johann Ludwig Bach and his contributions to the Baroque repertoire. As listeners engage with this music, further research may uncover additional connections within the Bach family and their influence on the evolution of sacred music during this period.

The Guardian