Exploring "Soumsoum, the Night of the Stars": A Chadian Cinematic Journey

"Soumsoum, the Night of the Stars," directed by Mahamat-Saleh Haroun, follows the life of Kellou, a young woman in the Ennedi desert of Chad, who grapples with societal ostracism and mystical visions. The film intertwines elements of magical realism with the harsh realities of life in a patriarchal community, highlighting the bond between Kellou and Aya, an older woman also marginalized by society.

Soumsoum, the Night of the Stars (Soumsoum, la Nuit des Astres)

Set in an unnamed African country, the narrative centers on seventeen-year-old Kellou (Maïmouna Miawana), who is labeled a "daughter of blood" due to her mother's death during childbirth. This stigma isolates her from her community, leaving her with only her father Gabra (Ériq Ebouaney) and her love interest Baba (Christ Assidjim Mbaihornom) for support. Kellou's life changes when she meets Aya (Achouackh Abakar Souleymane), a midwife blamed for the misfortunes surrounding Kellou's birth. Their friendship becomes a source of strength, as Aya helps Kellou embrace her visions, which are seen as a curse by others.

Variety MagazineSoumsoum, the Night of the Stars (Soumsoum, la Nuit des Astres)Mahamat-Saleh Haroun • Director of Soumsoum, the Night of the Stars

Haroun's film explores themes of freedom and resistance against patriarchal norms. Kellou's journey symbolizes a rebellion against the traditions that confine women in her society. The relationship between Kellou and Aya serves as a critique of societal expectations, as they navigate their identities amidst accusations of witchcraft and blame for local tragedies.

Variety Magazine

The film employs a blend of magical realism and allegory, with Haroun drawing inspiration from the rich legends of the Ennedi plateau. The cinematography by Mathieu Giombini captures the stark beauty of the desert landscape, yet some critics note that the film's pacing suffers as it transitions from magical elements to metaphorical storytelling. While the film begins with engaging fantastical sequences, it ultimately slows down, focusing on repetitive scenes that detract from its initial momentum.

Mahamat-Saleh Haroun • Director of Soumsoum, the Night of the Stars

In interviews, Haroun emphasized the importance of portraying the complexities of women's lives in Chad. He stated, "I wanted there to be a shift, for Kellou’s character to shake up the patriarchy’s established order a little bit." He also highlighted the significance of blending legends with realism to reflect the everyday life of his culture.

Mahamat-Saleh Haroun • Director of Soumsoum, the Night of the Stars

Despite its ambitious themes, "Soumsoum" has faced criticism for its execution. Some reviewers describe the film as visually elegant but monotonous, with clumsy editing and contrived dialogues that hinder emotional engagement. Critics argue that while the film's premise is compelling, its narrative execution fails to deliver a profound impact.

Soumsoum, the Night of the Stars (Soumsoum, la Nuit des Astres)

• “So I wanted to convey that timelessness to symbolise the universality of our shared origin and shared destiny.” — Mahamat-Saleh Haroun, Director

Mahamat-Saleh Haroun • Director of Soumsoum, the Night of the Stars

• “Be prepared for a very strong resolution.” — Film Review

Soumsoum, the Night of the Stars (Soumsoum, la Nuit des Astres)

"Soumsoum, the Night of the Stars" premiered in the Official Competition of the 76th Berlinale, where it garnered attention for its unique storytelling and cultural representation. The film's reception may influence future discussions on the portrayal of women's narratives in African cinema.

Soumsoum, the Night of the Stars (Soumsoum, la Nuit des Astres)