Sacconi Quartet Celebrates Silver Jubilee with New and Classic Works

The Sacconi Quartet, established in 2001 at the Royal College of Music, marked its 25th anniversary with a concert that juxtaposed classical staples with contemporary compositions. The performance featured works by Joseph Haydn, Ludwig van Beethoven, and a newly commissioned piece by Freya Waley-Cohen, showcasing the ensemble's versatility and depth.

The Guardian

Freya Waley-Cohen's commissioned work opened the concert with a movement titled "Spin," characterized by bold unison passages that transitioned into intricate solos. The piece was noted for its vibrant musical language, reminiscent of Bartók, while also reflecting the ensemble's cohesive sound and robust tonal quality. Subsequent movements included "Sing," which presented a poignant melody akin to a deconstructed folk song, and "Play," featuring syncopated rhythms that hinted at Eastern European influences. The movement "Step" offered a hypnotic quality, while "Pray" served as a meditative interlude, culminating in a delicate pizzicato coda. The final movement, "Be," showcased lyrical exchanges among the quartet, transitioning from complex textures to a serene simplicity.

The Guardian

In addition to the contemporary piece, the Sacconi Quartet performed Haydn's C major String Quartet, Op. 33, No. 3, subtitled "The Bird." Critics noted that the ensemble's interpretation leaned more towards texture and blend rather than the playful spirit typically associated with Haydn's work. Beethoven's A minor quartet, No. 15, was also featured, with the ensemble delivering a performance marked by emotional depth and a sense of brooding melancholy. The "Heiliger Dankgesang" movement was particularly highlighted for its unhurried nobility and emotional build-up.

The Guardian

The concert concluded with an encore featuring two folk tunes, "Old Molly Oxford" and "Christchurch Bells," arranged by Jon Boden. This selection was well-received, providing a fitting conclusion to an evening that balanced serious musical exploration with accessible melodies.

The Guardian

Critics praised the Sacconi Quartet for their organic playing style and the impressive weight of their sound, despite minor intonation issues. The new work by Waley-Cohen was described as a striking addition that other ensembles should consider incorporating into their repertoires.

The Guardian

While the performance was largely well-received, some critics expressed that the Sacconi Quartet's interpretation of Haydn lacked the intended playfulness, suggesting that the ensemble's focus on texture may have overshadowed the lightheartedness typically found in the composer's works.

The Guardian

• “A striking new work – and one that fellow ensembles should eagerly consider adding to their repertoire.” — The Guardian Review

The Guardian

• “The famous Heiliger Dankgesang movement evolved with an unhurried nobility and a finely sustained build in emotional intensity.” — The Guardian Review

The Guardian

This concert not only celebrated the Sacconi Quartet's legacy but also highlighted their commitment to contemporary music, ensuring their relevance in the evolving landscape of classical performance.

The Guardian