Paolo Sorrentino and Toni Servillo: A Reflection on Cinema and Legacy in *La Grazia*

*La Grazia*, directed by Paolo Sorrentino, marks a significant return to form for the filmmaker, being hailed as his most satisfying work since *The Great Beauty* in 2013. The film features Toni Servillo as Mariano De Santis, the outgoing president of Italy, navigating moral and ethical dilemmas during his final months in office. Sorrentino emphasizes that while the film involves a political figure, it is not strictly a political narrative; rather, it explores the interplay between private life and public service.

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Sorrentino and Servillo delve into the complexities of their characters, particularly the introspective nature of De Santis, who grapples with his Catholic faith and legal obligations. The film reflects on the notion of heroism in contemporary society, contrasting De Santis's sober demeanor with the more flamboyant figures often celebrated in politics today. Servillo notes that in a previous era, De Santis might have been seen as unremarkable, but in today's context, his qualities render him a hero.

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The collaboration between Sorrentino and Servillo is deeply rooted in their shared Neapolitan heritage, which they believe significantly influences their artistic bond. Servillo recounts his initial reluctance to transition from stage to film, describing how Sorrentino's persistence ultimately led to their successful partnership. Their shared experiences in the film industry, including accolades and challenges, have forged a strong connection over the years.

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Sorrentino reflects on the evolution of his career, expressing a sense of ambivalence towards the changing landscape of cinema. He articulates a desire to make a graceful exit from filmmaking, acknowledging that the industry has transformed significantly since his early days. Despite this, he admits to a persistent appetite for storytelling, likening his relationship with cinema to his relationship with food—an ongoing struggle between desire and restraint.

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In discussing the broader implications of leadership, Sorrentino references a 2011 interview with businessman Charlie Munger, who warned against the potential consequences of a Donald Trump presidency. This commentary highlights the filmmakers' concerns regarding the qualities that define modern leadership and the societal need for heroes in turbulent times.

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• “The past is a burden and the future is a void,” — Toni Servillo, reflecting on the themes of *La Grazia*.

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• “One character says, ‘Unhappy is the land that breeds no heroes.’ And the other says, ‘No. Unhappy is the land that needs a hero.’” — Toni Servillo, quoting Bertolt Brecht to illustrate contemporary societal challenges.

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*La Grazia* serves as a poignant exploration of legacy, morality, and the complexities of public service, encapsulated in the relationship between Sorrentino and Servillo. As they navigate their own careers and the shifting tides of the film industry, their reflections resonate with broader themes of heroism and the human condition.

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