Performance Art and Environmental Commentary: Zack Mennell's (para)site

On the Deptford foreshore, performance artist Zack Mennell, known for their unconventional approach, waded into the Thames wearing a costume made from 24 adult nappies. This performance, part of a project titled (para)site, serves as a commentary on sewage pollution and societal perceptions of benefit claimants. Mennell's work embodies a blend of personal and political themes, as they stated, “I’m going to be the parasite,” reflecting their engagement with the environmental crisis. The performance culminated in a literal confrontation with pollution, resulting in Mennell contracting Weil’s disease from rat urine in the water.

The Guardian

Mennell's artistic journey is deeply rooted in their experiences growing up near the chalk pits of Thurrock, Essex. Their work often explores the intersection of queerness, disability, and survival, drawing inspiration from the postindustrial landscape of their hometown. They have previously used personal documents, such as NHS psychiatric assessments, in performances to challenge the narratives surrounding mental health and institutional experiences. This approach highlights the transformative potential of art in addressing difficult subjects.

The Guardian

In March, Mennell is set to extend their artistic exploration through Common Host, a weekend of performances, screenings, and workshops at Peckham’s Safehouses. This initiative, supported by Future Ritual, aims to foster community connections while engaging with themes of folklore and ecological decay. Mennell emphasizes the collaborative nature of queer performance, stating, “Queer performance is often working with friends or lovers,” which underscores the importance of community in their artistic practice.

The Guardian

Mennell expresses concern about how their performances may be perceived, particularly regarding the potential pathologization of their behavior. They acknowledge the anxiety surrounding their artistic expression but view the use of official documents as a means to redefine their relationship with these materials. This perspective invites audiences to examine their own connections to “contaminated” objects, fostering a dialogue about personal and societal narratives.

The Guardian

• “I feel like I’m working with it,” — Zack Mennell, Performance Artist

The Guardian

• “to look at your relationship to an object and redefine it.” — Zack Mennell, Performance Artist

The Guardian

• “means everything. Being together is how we go on. It’s a reason to live.” — Zack Mennell, Performance Artist

The Guardian

Zack Mennell's performances challenge audiences to confront uncomfortable truths about pollution and societal labels. Through their work, they create temporary communities that engage with pressing issues, highlighting the transformative power of art in fostering connection and understanding. As Mennell continues to navigate their artistic journey, their commitment to addressing the intersections of identity, environment, and community remains a central theme.

The Guardian