Full Breakdown
Exploring the Auditory Horror of "Undertone"
3/15/2026, 1:29:15 PM
Core Event: The Unique Sound Design of "Undertone"
"Undertone," directed by Ian Tuason, is a horror film that centers on Evy (Nina Kiri), a podcaster who explores paranormal phenomena while caring for her comatose mother. The film's narrative unfolds as Evy and her co-host Justin (Adam DiMarco) receive unsettling audio files that lead them into a chilling exploration of sound and silence. The film's innovative sound design is a pivotal element, utilizing Dolby Atmos technology to create an immersive auditory experience that enhances the horror.
Background & Context: The Genesis of "Undertone"
Tuason's inspiration for "Undertone" emerged during the COVID-19 pandemic, coinciding with his return to his childhood home to care for his parents. The film began as a radio play, influenced by narrative podcasts like "Homecoming" and "The Black Tapes." This background in audio storytelling significantly shaped the film's focus on sound over visuals, allowing for a unique horror experience.
Key Figures: Ian Tuason and the Cast
Ian Tuason, the writer and director, emphasizes sound as a primary storytelling device. Nina Kiri, who portrays Evy, brings emotional depth to the character, while Adam DiMarco's voice performance adds tension without physical presence. Their collaboration highlights the film's reliance on auditory elements to convey fear and claustrophobia.
Why It Matters: The Impact of Sound in Horror
"Undertone" stands out in the horror genre by eschewing traditional jump scares in favor of a more psychological approach. The film's sound design creates a sense of dread, immersing viewers in Evy's world. Tuason's use of audio techniques, such as aligning sounds from different sources and incorporating gibberish, enhances the film's unsettling atmosphere. Critics have noted that the film's reliance on sound elevates it to a new level of horror, comparable to works like "Hereditary" and "Skinamarink."
Official Statements & Responses
Tuason has stated, “I always knew the film would rely more on its auditory storytelling than its visuals,” highlighting his meticulous approach to sound placement. Kiri noted that the film's setting intensifies the emotional stakes, as Evy grapples with her mother's illness while confronting her own fears. DiMarco remarked on the freedom of performing solely through voice, emphasizing the unique challenges of conveying emotion without physical expression.
Criticism & Opposition: Perspectives on Ambiguity
While many praise "Undertone" for its innovative sound design, some critics argue that the film's reliance on ambiguity may leave certain viewers unsatisfied. The lack of clear explanations for the supernatural elements can be polarizing, with some preferring more definitive horror narratives.
Verbatim Quotes
- “Gibberish is scarier than me telling you a scary phrase,” — Ian Tuason, Director
- “The setting really brings a lot without me doing much.” — Nina Kiri, Actress
What's Next: Future Installments of "Undertone"
Tuason has indicated that "Undertone" is intended to be a trilogy, with future films exploring the stories introduced in the first installment. This suggests a continued focus on the interplay of sound and narrative in subsequent projects.
In summary, "Undertone" is a distinctive entry in the horror genre, leveraging sound design to create an immersive and unsettling experience that challenges traditional storytelling methods. The film is currently playing in theaters, inviting audiences to engage with its auditory horrors.
