Andreas Schager: The Accidental Wagnerian Hero

Andreas Schager, a tenor known for his powerful performances in Wagner's operas, has rapidly ascended to prominence in the opera world since his breakthrough in 2013. Initially cast in the role of the mature Siegfried for the Berlin State Opera's production of *Götterdämmerung*, Schager was unexpectedly called to perform the demanding Act I of *Siegfried* at short notice. His successful delivery earned him acclaim from both conductor Daniel Barenboim and the audience, marking the beginning of his rise as a leading figure in Wagnerian opera.

The Guardian

Born and raised on a farm in rural Austria, Schager grew up in a musical family but initially pursued a degree in history and theology at university. His journey into opera began when he joined a chorus, leading to a decade of performing in operettas, where he honed his acting and singing skills. Despite his lack of formal training, Schager's natural talent and dedication led him to audition for Wagner's *Siegfried*, a pivotal moment that shifted his career trajectory.

The Guardian

In his portrayal of Siegfried, Schager emphasizes the character's youthful exuberance and emotional depth. He describes Siegfried as a "natural figure" who is eager to embark on adventures, such as slaying dragons and meeting maidens. Critics, however, have labeled Siegfried as a "bullying adolescent" and "boorish," presenting a challenge for Schager to convey the character's complexity. He believes that Siegfried's innocence and emotional turmoil are central to making him relatable, particularly as he grapples with betrayal and self-discovery throughout the opera.

The Guardian

Schager's current production at the Royal Opera House in London, directed by Barrie Kosky and conducted by Antonio Pappano, aims to stay true to Wagner's text while enhancing the emotional narrative through rich symbolism. Schager appreciates this approach, which allows the music and story to resonate without distraction. Looking ahead, he is set to perform five different Wagner roles in the coming months, including the title role in *Rienzi* at the Bayreuth festival, a significant honor given the opera's controversial history.

The Guardian

Schager has expressed that Wagner's music should not be judged based on the actions of others throughout history, asserting, “Wagner is not responsible for what other people have done with his music.” This perspective reflects his commitment to separating the composer’s legacy from its misappropriation in the past.

The Guardian

• “I went into it like I was just doing a new operetta role, and it was exactly the right approach.” — Andreas Schager, Tenor

The Guardian

• “I don’t have to; he’s a very natural figure: a young man full of emotions.” — Andreas Schager, Tenor

The Guardian

• “It’s important,” he says, “not to shape the tone, but to let the emotions produce it.” — Andreas Schager, Tenor

The Guardian

• “Wagner is not responsible for what other people have done with his music.” — Andreas Schager, Tenor

The Guardian

As Schager continues to navigate his burgeoning career, he remains focused on the challenges and joys of performing Wagner, embodying the spirit of a hero both on and off the stage.

The Guardian