Philip Tinari's New Role at Tai Kwun: Navigating Art in Hong Kong

Philip Tinari, an American art curator with extensive experience in the Chinese cultural sector, has recently assumed the role of deputy director and head of art at Tai Kwun Culture and Arts Company Limited in Hong Kong. Having previously directed the Ullens Centre for Contemporary Art (UCCA) in Beijing, Tinari brings a wealth of knowledge and a nuanced understanding of the complexities of art within authoritarian contexts. His move to Hong Kong in early February 2023 marks a significant shift in his career, as he aims to develop a diverse art program at Tai Kwun, a cultural hub that has attracted 25 million visitors since its opening in 2018.

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Tinari's career in the arts began in China in the early 2000s, where he first engaged with the underground art scene as a Fulbright scholar. He became the director of UCCA in 2011, a pivotal institution that has played a crucial role in showcasing contemporary Chinese art. Under his leadership, UCCA expanded its reach and influence, although it faced challenges, particularly during the COVID-19 pandemic, which severely impacted revenues and led to operational difficulties.

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At Tai Kwun, Tinari is tasked with curating an art gallery and performance program that emphasizes global artistic perspectives. He aims to integrate local and international artists, drawing from his previous experiences, including co-curating the inaugural exhibition of multimedia artist Cao Fei in 2018. Tinari describes Tai Kwun as a "gift to the city," highlighting its unique blend of historic architecture and modern amenities.

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Despite the promising outlook, Tinari's tenure is not without challenges. The political landscape in Hong Kong remains complex, and the institution operates under the auspices of the Hong Kong Jockey Club, a conservative organization. Tinari acknowledges the need to navigate this environment carefully, stating, “I’m feeling humble... I’m only starting to wrap my head around it.” Additionally, he reflects on the difficulties faced by UCCA, including financial struggles and censorship issues, which have shaped his approach to curating art in a politically sensitive context.

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Tinari has expressed optimism about the resilience of Hong Kong's cultural scene, stating, “Hong Kong has a lot to recommend it, even at this quite uncertain moment.” He emphasizes the importance of understanding local dynamics while presenting art that resonates with both local and international audiences.

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• “You have to give full exposure [to the authorities] of what you want to present,” — Philip Tinari, Deputy Director, Tai Kwun Culture and Arts Company Limited

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• “Those three years changed everything,” — Philip Tinari, reflecting on the impact of COVID-19 on UCCA

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• “This is a different society with a complicated geopolitical situation and a special status. I’m only starting to wrap my head around it.” — Philip Tinari, on adapting to Hong Kong's cultural landscape

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As Tinari develops his program at Tai Kwun, the art community will be watching closely to see how he balances artistic expression with the realities of operating within a politically charged environment. His ability to foster a vibrant cultural dialogue will be crucial for the institution's future.

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