Yorgos Lanthimos: A Shift from Cinema to Absurdist Photography

Yorgos Lanthimos, the acclaimed Greek filmmaker known for his distinctive cinematic style, has recently turned his focus to photography, inaugurating an exhibition in Athens that showcases 182 images taken over the past five years. This collection, which includes works from his latest film "Bugonia," reflects Lanthimos's unique perspective, blending humor and darkness reminiscent of his films. The exhibition, titled "No Word for Blue," features images that evoke a range of emotions, from poignant to absurd, illustrating the director's fascination with the unconventional aspects of life.

Before his return to Oscars, Yorgos Lanthimos finds still moment in Athens

Lanthimos's foray into photography began as a technical foundation for filmmaking but has evolved into a personal and creative outlet. He describes photography as a solitary pursuit that allows him to escape the pressures of filmmaking. “You can be alone with a camera, walking without having something specific in mind,” he stated, emphasizing the immediacy and satisfaction of capturing a moment. His works often feature unconventional subjects, such as a coffin juxtaposed with a mop or a roadside memorial, inviting viewers to interpret the images through their own emotional lenses.

Before his return to Oscars, Yorgos Lanthimos finds still moment in Athens

The exhibition also highlights Lanthimos's collaborative spirit, particularly with actress Emma Stone, who has starred in many of his films. During the filming of "Bugonia," Stone joined Lanthimos in processing photographs, creating a meditative experience that contrasted with the tension of movie sets. Lanthimos appreciates the imperfections in photography, often selecting images that feature scratches or unusual compositions, as they add texture and depth to the narrative.

Before his return to Oscars, Yorgos Lanthimos finds still moment in Athens

Despite his success, Lanthimos expresses discomfort with the realities of filmmaking, citing his shyness as a barrier to engaging with others for photography. He often captures images from a distance or focuses on body parts rather than faces, which he believes can convey more expressive stories. This approach aligns with his cinematic themes, where the body often plays a central role in storytelling.

Before his return to Oscars, Yorgos Lanthimos finds still moment in Athens

Lanthimos has articulated his desire to step back from filmmaking after a prolific period, stating, “I made three films back to back. I overdid it.” He plans to take an indefinite break from directing until he feels the urge to create again. His recent work in photography represents a shift towards a more introspective and personal exploration of his artistic vision.

The Guardian

As Lanthimos continues to explore photography, he remains open to the evolving nature of his work. He acknowledges the freedom photography offers, stating, “There’s a freedom in photography that is very exciting.” His exhibition at Onassis Stegi in Athens runs until May 17, 2026, allowing audiences to engage with his unique perspective on life through the lens of absurdity.

Before his return to Oscars, Yorgos Lanthimos finds still moment in Athens

• “How you view it depends on your mood,” — Yorgos Lanthimos

The Guardian

• “You can present them in a book, in an exhibition, combine them in different ways,” — Yorgos Lanthimos

Before his return to Oscars, Yorgos Lanthimos finds still moment in Athens

• “There’s a freedom in photography that is very exciting.” — Yorgos Lanthimos

Before his return to Oscars, Yorgos Lanthimos finds still moment in Athens