Hunky Jesus: A Celebration of Queer Identity at BFI Flare Festival

Jennifer M Kroot’s film *Hunky Jesus*, narrated by George Takei, serves as the opening feature of the BFI Flare, an annual festival dedicated to LGBTQ+ cinema. The film centers on an unconventional talent contest held every Easter in San Francisco, where contestants compete for the title of the "hunkiest Jesus-a-like." This event is organized by the Sisters of Perpetual Indulgence, a group of queer drag nuns known for their provocative performances and activism.

The Guardian

The *Hunky Jesus* contest is characterized by its flamboyant and humorous approach, featuring contestants who often engage in playful, suggestive performances, including pole dancing around a cross. The event is described as a "cheerfully shallow and sincerely hedonistic carnival," celebrating queer identity and challenging traditional religious narratives. The Sisters of Perpetual Indulgence, who have been active for decades, embody a spirit of defiance against homophobia and religious conservatism, asserting that "You don’t own Jesus. You don’t own Easter."

The Guardian

The film captures a range of reactions to the contest, including disapproval from some religious figures. One cleric expresses mixed feelings about the sexualization of Jesus, highlighting the tension between traditional religious values and contemporary expressions of queer identity. The Sisters themselves acknowledge the complexity of their performances, with one sister humorously questioning whether the historical Jesus might have wanted to compete in the contest.

The Guardian

The event has garnered both support and criticism. Supporters argue that the contest is a vital expression of LGBTQ+ culture, while critics, particularly from religious communities, express concern over the perceived disrespect towards sacred figures. The Sisters of Perpetual Indulgence maintain that their performances are not meant to mock but to celebrate and reclaim narratives surrounding Jesus and Easter.

The Guardian

Critics of the event often focus on the potential for offense to religious sentiments. Some church representatives have voiced their disapproval, suggesting that the sexualization of religious figures undermines the sanctity of faith. However, supporters counter that the event serves as a necessary counter-narrative to ongoing homophobia and a celebration of diversity within spiritual contexts.

The Guardian

• “You don’t own Jesus. You don’t own Easter.” — Sister of Perpetual Indulgence

The Guardian

• “I have mixed feelings about the sexualisation of Jesus.” — Cleric

The Guardian

*Hunky Jesus* at the BFI Flare Festival exemplifies the intersection of art, activism, and queer identity. Through its provocative performances and humorous approach, the event challenges traditional religious narratives while fostering a sense of community and celebration among LGBTQ+ individuals. As the Sisters of Perpetual Indulgence continue to expand their ministry globally, the contest remains a significant cultural touchstone in the ongoing dialogue about faith, identity, and acceptance.

The Guardian