Celebrating the Founders of Cinema: Thierry Frémaux's "Lumière, le Cinéma!"

In 2026, the landscape of filmmaking is characterized by a multitude of elements such as sound, color, and special effects. However, the fundamental component of cinema remains the image projected on screen. Thierry Frémaux's documentary, “Lumière, le Cinéma!”, emphasizes the significance of visual storytelling and the pivotal role of early filmmakers in shaping this art form. Frémaux, who serves as the chief of the Cannes Film Festival and directs the Institut Lumière in Lyon, France, aims to highlight the contributions of the Lumière brothers, Auguste and Louis, often regarded as the fathers of cinema.

New York Times

The Lumière brothers revolutionized the film industry with their invention of the cinematograph in 1895, a device that could shoot, develop, and project films. Their most notable work, “Arrival of a Train at La Ciotat,” famously elicited a strong reaction from audiences, who were reportedly so startled that they fled in fear. This incident underscores the profound impact of their innovations on early cinema and audience perception.

New York Times

Frémaux argues that beyond their technological advancements, the Lumières were true artists. He posits that Louis Lumière, in particular, crafted a cinematic language that has influenced countless filmmakers. Techniques such as long takes and meticulously framed shots, which are now commonplace, were pioneered by the Lumières, establishing a foundation for future generations of filmmakers.

New York Times

The documentary serves not only as a tribute to the Lumière brothers but also as a reflection on the evolution of cinema as an art form. By revisiting the origins of filmmaking, Frémaux invites contemporary audiences to appreciate the artistry involved in the creation of films, encouraging a deeper understanding of how visual storytelling has shaped human culture.

New York Times

Frémaux has expressed that “Lumière, le Cinéma!” is intended to remind viewers of the artistic merit inherent in early cinema. He emphasizes the importance of recognizing the creative vision behind the technology, stating that the Lumières' contributions extend far beyond mere invention.

New York Times

While Frémaux's documentary has been well-received, some critics argue that it may romanticize the Lumières' contributions at the expense of other influential figures in early cinema. They suggest that a more comprehensive view of film history should include a wider array of contributors and innovations.

New York Times

• “The art of cinema is all about framing the world for the audience, helping them quite literally see it in a new way.” — Thierry Frémaux, Director of “Lumière, le Cinéma!”

New York Times

• “Even if someone else had invented the technology, the ways that their films use techniques like long takes and carefully framed shots would qualify them for a spot in the pantheon.” — Thierry Frémaux

New York Times

Through “Lumière, le Cinéma!”, Frémaux not only celebrates the legacy of the Lumière brothers but also prompts a reevaluation of the artistic dimensions of cinema, reinforcing its significance in cultural history.

New York Times