The Duality of Sante D’Orazio: A Life Behind the Lens

Sante D’Orazio, a prominent photographer known for his work with celebrities and fashion magazines, has shared his life story in his memoir, *A Shot in the Dark*. The book reveals the complexities of his glamorous yet tumultuous life, marked by both artistic triumphs and personal struggles.

New York Observer

Born in 1956 to Italian parents in Brooklyn, D’Orazio was surrounded by a diverse community that included various ethnicities and low-level mobsters. His artistic journey began in the church, where he was captivated by Catholic iconography. After initially studying commercial art, he found his passion in fine art at Brooklyn College. His photography career was catalyzed by Lou Bernstein, who introduced him to a philosophy of aesthetic realism, emphasizing that one's perception of the world reflects their self-image.

New York Observer

Throughout his career, D’Orazio has photographed numerous high-profile figures, including Elton John, Bruce Springsteen, and Nicole Kidman. His style is characterized by simplicity, often featuring a single model with minimal props, which fosters intimacy in his work. D’Orazio believes that every photograph is a self-portrait, reflecting his experiences and emotions.

New York Observer

D’Orazio's memoir also delves into his personal challenges, including a battle with depression, which he attributes to his mother's influence. He recounts various escapades, including arrests and health crises, such as a near-fatal E. coli infection that led to an induced coma. Following this, he faced post-traumatic stress disorder and addiction to OxyContin, which significantly impacted his career. Despite these struggles, he found solace in painting, which became a crucial part of his healing process.

New York Observer

Now at 70, D’Orazio expresses a desire to continue working, although he acknowledges that the photography industry has changed significantly. He critiques modern advertising for its lack of appreciation for great photography, stating, “Advertising has dumbed down and is not interested in great photography anymore.” Nevertheless, he remains passionate about his craft, asserting, “I’m ready to shoot anytime.”

New York Observer

D’Orazio's perspective on the current state of photography reflects a broader concern among artists about the commercialization and simplification of creative work. His critique serves as a reminder of the challenges faced by artists in an evolving industry that often prioritizes quick results over artistic integrity.

New York Observer

• “I worship the divine feminine.” — Sante D’Orazio, Photographer

New York Observer

• “was that I worked with light, but emotionally, I lived in darkness.” — Sante D’Orazio, Photographer

New York Observer

• “If I’m not creating, I’m hurting myself–not physically, but emotionally.” — Sante D’Orazio, Photographer

New York Observer

• “And if no one’s calling, I’m calling myself.” — Sante D’Orazio, Photographer

New York Observer

Despite the challenges he has faced, D’Orazio is eager to embrace new projects and continue his artistic journey. His commitment to creativity remains unwavering, as he states, “Not a day goes by that I isn’t photographing or painting.”

New York Observer