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The Old Ladies: A Review of the Finborough Theatre Production

3/30/2026, 10:40:28 PM

Overview of the Production

"The Old Ladies," a play by Rodney Ackland based on a novel by Hugh Walpole, is currently being staged at the Finborough Theatre in London. This three-character piece features elderly women living in a shared boarding house in the fictional city of Polchester. The narrative unfolds over 90 minutes, exploring the dynamics among Lucy Amorest (Julia Watson), May Beringer (Catherine Cusack), and Agatha Payne (Abigail Thaw) as their relationships deteriorate amidst personal struggles and tensions.

Character Dynamics and Themes

The characters are distinct in their personalities and circumstances. Lucy, a widow, is portrayed as the most sensible, grappling with financial difficulties and the absence of her son, Brand. May, a nervous newcomer, is preoccupied with her late dog and fears poverty. Agatha, a widow with a penchant for the mystical, exhibits a sinister demeanor, particularly towards May, whom she seeks to manipulate for her prized possession—a lump of amber that symbolizes May's mental stability.

The play delves into themes of beauty, friendship, grief, and the harsh realities of aging without support systems. The tension escalates as Agatha's demands for the amber intensify, leading to a climax filled with psychological unease.

Critical Reception

Critics have noted the performances of the cast as a highlight, with particular praise for Cusack's portrayal of the neurotic May and Thaw's ability to balance humor with Agatha's unsettling presence. However, the overall reception has been mixed, with some reviewers describing the play as feeling outdated and lacking in dramatic tension. The dialogue has been criticized for being repetitive and overly expository, detracting from the potential impact of the narrative.

Production Elements

The production, directed by Brigid Larmour, features a gothic design that aims to enhance the eerie atmosphere of the story. The set, designed by Juliette Demoulin, has received mixed reviews for its confusing representation of space, which some critics felt undermined the storytelling. The lighting by Mark Dymock and sound design by Max Pappenheim contribute to the intended ambiance, although some believe the execution falls short of creating genuine suspense.

Official Statements & Responses

The Finborough Theatre has positioned itself as a venue for reviving forgotten plays, which adds a layer of significance to this production. The theatre's commitment to showcasing works like "The Old Ladies" reflects an effort to engage audiences with historical narratives, despite the challenges posed by the play's age and style.

Criticism & Opposition

While the performances have been lauded, critics argue that the play's structure and dialogue do not resonate with contemporary audiences. Some reviews suggest that the production misses opportunities for irony or humor, leading to a serious tone that feels out of place for a piece originally intended as entertainment.

Verbatim Quotes

  • “The Old Ladies really is a creaky old piece of theatre.” — Reviewer, Everything Theatre
  • “These are undoubtedly three impressive performances.” — Reviewer, Everything Theatre
  • “The tension as we feel the shadows around the women deepening, and odd knockings on the walls gathering pace, is underpinned by the eerie sound of Agatha’s low muttering and groaning, asleep in her rocking chair, a sound May is acutely aware of.” — Reviewer, The Arts Desk

Conclusion

"The Old Ladies" at the Finborough Theatre presents a complex interplay of character dynamics set against the backdrop of aging and isolation. While the performances are commendable, the play's dated elements and lack of dramatic engagement have led to a critical reception that questions its relevance in modern theatre. The production runs until April 19, offering audiences a glimpse into a bygone era of theatrical storytelling.