Dario Argento's _Inferno_ and the Horror of Urban Architecture

Dario Argento's 1980 film _Inferno_ serves as a pivotal entry in the horror genre, particularly within the giallo tradition. The narrative unfolds in a nightmarish version of New York City, where the protagonist, Mark (Leigh McCloskey), searches for his missing sister, Rose (Irene Miracle), in a sinister apartment building described in an ancient tome as the domain of Mater Tenebrarum, the Mother of Darkness. This setting is characterized by a blend of neo-Gothic elements and surreal horror, creating an atmosphere that is both captivating and unsettling.

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The recent film _They Will Kill You_ draws thematic parallels with _Inferno_, particularly in its depiction of a malevolent urban environment. Both films explore the concept of an evil building, albeit through different lenses. _They Will Kill You_ adopts a more action-oriented approach, featuring exaggerated violence and absurd scenarios, such as a character being devoured by rats while seeking help from a hot dog vendor. In contrast, _Inferno_ delves into a more profound sense of dread, utilizing its architectural setting as a character in itself, leading Mark deeper into a labyrinth of horror.

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Argento's mastery of visual storytelling is evident in _Inferno_, where the building's crawlspaces are illuminated in haunting reds and blues, accompanied by Keith Emerson's operatic score. This contrasts with _They Will Kill You_, which employs a more conventional action-movie aesthetic. The architectural design in _Inferno_ serves as a conduit for the narrative, guiding the protagonist toward the film's climactic encounters with supernatural forces.

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While _They Will Kill You_ has been noted for its energetic action sequences, critics argue that it lacks the depth and nuance found in _Inferno_. The latter film's exploration of themes such as the malevolent influence of urban spaces and the psychological impact of its characters resonates more profoundly with audiences. Critics have pointed out that _Inferno_ offers a more satisfying interpretation of the demonic landlord trope, presenting a narrative that is both surreal and thought-provoking.

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Critics have praised _Inferno_ for its imaginative storytelling and unique approach to horror. The film's ability to evoke a sense of dread through its setting has been highlighted as a significant achievement in Argento's career. In contrast, _They Will Kill You_ has been described as a fun but ultimately less impactful experience, relying on familiar tropes of the action genre.

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• “The film is a glob of raw imagination, scooped out of Argento’s psyche with a metaphysical melon baller.” — Keith Phipps, Film Critic

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• “They Will Kill You rides on the coattails of all the other kill-the-rich Raid-like beat-’em-ups, while Inferno followed up on the surprising success of Suspiria.” — Film Reviewer

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In summary, Dario Argento's _Inferno_ stands as a seminal work that transcends typical horror narratives through its innovative use of setting and atmosphere. While _They Will Kill You_ offers a modern take on the concept of an evil building, it ultimately lacks the depth and psychological complexity that defines Argento's classic. The juxtaposition of these two films highlights the evolving nature of horror cinema and the enduring impact of Argento's vision.

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