Shostakovich's Symphonies Nos. 2 and 5: A Study in Contrasts

The BBC Philharmonic, under the direction of conductor John Storgårds, has released a new album featuring Dmitri Shostakovich's Symphony No. 2 and Symphony No. 5. This pairing juxtaposes one of Shostakovich's most recognized works with one of his lesser-known compositions, providing a unique insight into the evolution of the composer’s style.

The Guardian

Commissioned to celebrate the 10th anniversary of the October Revolution, Symphony No. 2 stands out as a piece of propaganda. The symphony opens with an unconventional soundscape, characterized by strings that create an almost pitchless atmosphere. This experimental introduction transitions into a vibrant and chaotic celebration, culminating in a choral finale where the CBSO Chorus exuberantly sings about "October, the Commune and Lenin." The performance captures the youthful exuberance of the 21-year-old Shostakovich, showcasing his willingness to explore new musical territories.

The Guardian

In stark contrast, Symphony No. 5, composed a decade later, reflects a more mature and nuanced approach. While Storgårds's interpretation may not delve deeply into the darker elements of the first movement, it effectively highlights the tension and eventual release found within the symphony. The conductor's ability to warm the sound during moments of harmonic transition adds depth, particularly in the third movement, which conveys a sense of stillness. The finale is marked by carefully executed tempo changes that build tension without resorting to flamboyance, resulting in a powerful conclusion.

The Guardian

The album has been noted for its contrasting representations of Shostakovich's musical journey. The juxtaposition of the youthful exuberance in Symphony No. 2 with the more complex emotional landscape of Symphony No. 5 invites listeners to reflect on the composer’s development over the years. Critics have acknowledged Storgårds's effective interpretation, which, while not flashy, resonates with the underlying themes of both symphonies.

The Guardian

The BBC Philharmonic has expressed pride in presenting these works, emphasizing the importance of showcasing Shostakovich's range as a composer. Storgårds remarked on the significance of the album, stating that it allows audiences to experience the stark contrasts in Shostakovich's music, from the celebratory to the introspective.

The Guardian

• “The Symphony No 2 was commissioned as a piece of propaganda marking the 10th anniversary of the October Revolution; in the context of the composer’s later works it feels like a curiosity, except for what it tells us about the 21-year-old Shostakovich’s glee in experimentation.” — The Guardian

The Guardian

• “The finale is full of small increases in tempo, tautly done, that wind up the tension – not a flashy performance, but effective nonetheless.” — The Guardian

The Guardian

This album serves as a compelling exploration of Shostakovich's artistic evolution, inviting both new listeners and seasoned aficionados to engage with the complexities of his symphonic works.

The Guardian