New York Philharmonic's Adventurous Season Highlights George Lewis Premiere

The New York Philharmonic's recent concert at David Geffen Hall showcased a diverse and imaginative program, blending modern and contemporary works with classical staples. The performance featured pieces by renowned composers such as Samuel Barber, Igor Stravinsky, and Charles Ives, culminating in the world premiere of a significant new work by George Lewis, a prominent composer and trombonist known for his contributions to computer music.

New York Times

The concert included Barber's familiar “Knoxville: Summer of 1915” and the less frequently performed “Second Essay for Orchestra,” alongside a scene from Stravinsky’s “The Rake’s Progress” and Ives’s “The Unanswered Question.” The evening was marked by the participation of South African soprano Golda Schultz and the percussion quartet Yarn/Wire, who performed Lewis's new composition. Kwamé Ryan conducted the orchestra, making his subscription debut with the Philharmonic.

New York Times

Despite her impressive vocal abilities, Golda Schultz faced challenges during the performance due to a recent bout of bronchitis. She informed the audience that she would need to omit the aria from Carlisle Floyd’s “Susannah” from her set in the second half of the program. Nevertheless, Schultz delivered a captivating performance, particularly in her rendition of “No Word from Tom” from “The Rake’s Progress,” showcasing her warm tone and controlled vibrato. Her interpretation of Barber’s “Knoxville” was also noted for its emotional depth.

New York Times

The New York Philharmonic's programming choices have been praised for their adventurous spirit, reflecting a commitment to both contemporary and traditional music. Kwamé Ryan's debut as conductor was well-received, indicating a positive reception for his leadership style and interpretation of the diverse repertoire.

New York Times

While the concert was largely celebrated, some critics may argue that the inclusion of less familiar works could alienate audiences accustomed to more traditional programming. The decision to premiere a new piece by George Lewis, while innovative, may also be met with skepticism from those who prefer established classics.

New York Times

• “ If not as free with some climactic high notes as she was in this role at theMetropolitan Opera in 2022,Schultz’s performance was worth hearing for its mellowness and controlled vibrato.” — New York Times Review

New York Times

• “It was a stacked cast for a heavy program.” — New York Times Review

New York Times

The New York Philharmonic continues its season with a commitment to exploring a wide range of musical styles and compositions, promising further innovative programming in the upcoming concerts. The response to Lewis's new work may influence future programming decisions, as the orchestra seeks to balance audience expectations with artistic exploration.

New York Times