Exploring the Depths of Tween Hierarchy in *The Plague*

*The Plague*, directed by Charlie Polinger, is set in the summer of 2003 at a boys' water polo training camp. The film delves into the psychological complexities of youth, exploring themes of bullying, hazing, and social hierarchies among preteens. The narrative centers on Ben (Everett Blunck), a newcomer striving to fit in with a group led by the charismatic yet menacing Jake (Kayo Martin). The film's portrayal of the brutal dynamics among the boys is underscored by a fictional affliction they label “the plague,” which is used to ostracize Eli (Kenny Rasmussen), a boy marked as an outsider.

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Polinger employs a striking visual style, beginning with a captivating submerged shot of the pool that sets the tone for the film. Critics have noted the film's stylistic similarities to the works of directors like David Fincher and Lucile Hadžihalilovic, particularly in its exploration of juvenile initiation rites and the darker aspects of adolescent behavior. The dialogue captures the absurdity of preteen conversations, touching on topics ranging from 90s rock music to bizarre hypothetical scenarios, enhancing the film's authenticity.

The Guardian

The character dynamics are pivotal to the film's narrative. Ben's struggle to navigate the treacherous social landscape is compounded by his interactions with Jake's group, which employs psychological manipulation to maintain control. Coach Daddy Wags (Joel Edgerton) serves as a voice of reason, encouraging Ben to embrace his true self amidst the chaos. The performances of the young actors have been highlighted for their rawness, with Blunck portraying a character that oscillates between eagerness to please and growing discomfort, while Martin's portrayal of Jake exudes intimidation despite his small stature.

The Guardian

While the first half of *The Plague* has been praised for its originality and sharpness, some critics argue that the film eventually succumbs to predictable narrative beats. The portrayal of Eli as a marginalized figure and the film's conclusion have drawn comparisons to other cinematic works, suggesting that it may not fully escape its influences.

The Guardian

*The Plague* serves as a poignant exploration of the complexities of tween culture, offering a memorable depiction of the social laws governing young boys. Through its engaging narrative and striking visuals, the film invites viewers to reflect on the often harsh realities of adolescence.

The Guardian

• “Flirting with body horror, the film never quite resolves its suggestion that, if not quite real, the plague could be psychosomatic.” — The Guardian

The Guardian

• “This is a memorable education in the laws of the tween jungle.” — The Guardian

The Guardian