Exploring Mark Fisher's Legacy Through Film

Mark Fisher's book, *Capitalist Realism: Is There No Alternative?*, published in 2009, initially received little attention from journalists and academics. Despite this, it has sold over 250,000 copies in various languages, reflecting a growing interest in Fisher's critique of capitalism. Fisher, who gained prominence through his k-punk blog, articulated the sentiment that “it’s easier to imagine the end of the world than the end of capitalism,” a notion attributed to Fredric Jameson. His work, particularly in the context of the post-2008 financial crisis, resonates with feelings of hopelessness prevalent in contemporary society.

The Guardian

Born in 1968 to working-class parents, Fisher often felt like an outsider. His career oscillated between temporary jobs and academia, culminating in a position as a lecturer at Goldsmiths, University of London. Fisher's struggles with mental health culminated in his tragic death by suicide in January 2017. His ideas, particularly around "hauntology," suggest that modern society is haunted by unrealized futures, a theme explored in the recently released documentary *We Are Making a Film About Mark Fisher*.

The Guardian

*We Are Making a Film About Mark Fisher* employs archival recordings, interviews, and fictional performances to delve into Fisher's philosophies. The film, described as “decapitalised,” aims to operate outside traditional profit-driven production methods. Artists Sophie Mellor and Simon Poulter self-funded the project and engaged a volunteer crew through social media, challenging the norms of film distribution and marketing.

The Guardian

Despite the film's innovative approach, some critics may question its effectiveness in conveying Fisher's complex ideas. The documentary's reliance on social media for organization raises concerns about reinforcing the very capitalist structures Fisher critiqued. Mellor herself poses the question of whether a truly decapitalised film is achievable, highlighting the inherent contradictions in their project.

The Guardian

Fisher's concepts, such as "acid communism," continue to inspire contemporary artists and activists. For instance, Canadian social sculptor Miki Aurora has integrated Fisher's ideas into community projects aimed at uplifting marginalized groups. The film also reflects on how Fisher's critique of neoliberalism remains relevant, as seen in the portrayal of call centers in the television series *Industry*, which echoes Fisher's views on the disembodied nature of modern labor.

The Guardian

The documentary has sparked discussions about Fisher's legacy and the ongoing relevance of his ideas. As noted by various contributors, Fisher's work encourages a re-examination of the cultural and economic systems that shape our lives. The film's conclusion emphasizes collective action against capitalism, inviting viewers to engage in the ongoing struggle for a more equitable future.

The Guardian

*We Are Making a Film About Mark Fisher* will be screened at the ICA in London on May 19, 2026, with additional screenings organized by audiences across various locations. This grassroots approach reflects Fisher's belief in the potential for collective cultural production to challenge dominant narratives.

The Guardian

• “Mark had great powers of empathy,” — Tariq Goddard, Co-founder of Zer0 Books

The Guardian

• “Is it actually possible to make a decapitalised film?” — Sophie Mellor, Co-creator of the documentary

The Guardian

• “We are making a film about Mark Fisher and, now that you are watching, so are you.” — *We Are Making a Film About Mark Fisher*

The Guardian