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Full Breakdown

Wayne McGregor's Alchemies: A Dance of Transformation at the Royal Ballet

4/20/2026, 2:10:09 PM

Overview of the Triple Bill

Wayne McGregor's latest work, _Alchemies_, premiered at the Royal Opera House from April 18 to May 6, 2026. This triple bill features two previously established pieces, _Yugen_ (2018) and _Untitled, 2023_, alongside the world premiere of _Quantum Souls_. McGregor, who has served as the Royal Ballet's resident choreographer for 20 years, is known for his innovative approach to dance, often blending contemporary styles with classical ballet.

Core Works and Their Themes

The evening begins with _Untitled, 2023_, characterized by stark minimalism and a score by Anna Thorvaldsdottir. The choreography explores the transformation of the body into various forms, resembling pigment on a canvas. Dancers move fluidly, embodying the concept of matter in motion. The piece's visual aesthetic, inspired by Cuban artist Carmen Herrera, features a striking green triangle against a white backdrop, enhancing the choreography's clarity and precision.

Following this is _Yugen_, which translates the essence of Leonard Bernstein's _Chichester Psalms_ into movement. The piece is noted for its emotional depth, with dancers embodying the music rather than merely illustrating it. The set, designed by Edmund de Waal, evokes a sacred atmosphere, while the costumes by Shirin Guild allow for fluid movement, enhancing the dancers' expressiveness.

The final piece, _Quantum Souls_, showcases a more dynamic and exploratory choreography set to Bushra El-Turk's live percussion score. The performance features onstage percussionist Beibei Wang, whose energetic presence adds a layer of excitement, although some critics noted moments of disconnection between the music and dance.

Impact of Collaboration

McGregor's work exemplifies the history of collaboration in ballet, drawing on contributions from various artists across disciplines. For _Untitled, 2023_, he collaborated with fashion designer Daniel Lee of Burberry, while _Yugen_ featured costumes by Shirin Guild. This emphasis on collaboration reflects McGregor's belief in the transformative power of artistic partnerships, which he describes as akin to alchemy.

Criticism and Reception

While _Alchemies_ has been praised for its innovative choreography and visual artistry, some critics have expressed reservations about the coherence of _Quantum Souls_. The piece's reliance on live percussion, while engaging, sometimes overshadowed the dancers, leading to moments where the choreography felt disconnected from the score. Despite this, the overall reception highlights the Royal Ballet dancers' ability to adapt to McGregor's challenging demands, showcasing their versatility and skill.

Verbatim Quotes

  • “The dancers do not seem to illustrate the text so much as embody the music.” — Review from _Seeing Dance_
  • “If this is not an evening for the faint of heart, it is undeniably exhilarating to see the Royal’s dancers stretched and challenged by McGregor’s demands.” — Review from _The Telegraph_
  • “There’s something really interesting about how she balances line, shape, colour, symmetry and asymmetry in precarious ways,” — Wayne McGregor on Carmen Herrera's influence

Conclusion

Wayne McGregor's _Alchemies_ stands as a testament to the evolving nature of ballet, merging contemporary dance with classical elements. Through collaboration and innovative choreography, McGregor continues to challenge the boundaries of dance, inviting audiences to experience the transformative power of movement.