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First Physical Evidence of Caribbean Pirates Unearthed in Nassau Harbor

6/5/2026, 1:17:39 PM

Discovery of Pirate-Linked Shipwrecks in Nassau Harbor

In September–October 2025, a marine-archaeology team, authorized by the Antiquities, Monuments and Museums Corporation of the Bahamas, surveyed Nassau harbor on New Providence Island. Divers documented six wrecks; three exhibit 18th-century construction, ballast, and armaments that match vessels from the Caribbean’s Golden Age of Piracy (1680s–1720s). The sites include a burned hull overlain by stone ballast, a single-mast sloop with a deck cannon and swivel gun, and a partially preserved hull beneath an old bridge.

Historical Context: Nassau as a Pirate Hub

From the late 1600s to the early 1720s, Nassau served as the base for pirates such as Blackbeard, Calico Jack Rackham, Henry Avery, Benjamin Hornigold and Anne Bonny. Governor Woodes Rogers recorded 40 pirate-burned wrecks off the shore in 1718, after which the port was gradually cleared of outlaw activity.

Official Statements & Institutional Support

The expedition was co-led by British marine archaeologist Sean Kingsley (editor-in-chief, *Wreckwatch* magazine) and filmmaker Chris Atkins (co-founder, Wreckwatch TV). Museum director Michael Pateman of the Bahamas Maritime Museum advised on the findings. The Antiquities, Monuments and Museums Corporation of the Bahamas confirmed this was the first authorized dive in Nassau’s closed harbor zone, highlighting the project’s unprecedented access. Kingsley indicated that while the large wreck matches the size and construction of Henry Avery’s *Fancy*, no definitive artifacts confirm that identification.

Artifacts and Evidence of Pirate Practices

Recovered material comprises iron cannons, swivel guns, lead musket balls, a sword-sharpening grinding stone, and 143 clay tobacco pipes stamped with the British royal coat of arms—likely made in London in the 1740s–1750s. Wooden treenails confirm 18th-century construction. The lack of cargo at several wrecks supports the historical practice of stripping valuables and burning ships to the waterline to conceal piracy.

Critique of Hollywood Pirate Portrayals

Kingsley contends that the *Pirates of the Caribbean* franchise offers a “cartoon cutout” view of piracy, ignoring the desperation, forced conscription, and violence that defined real 18th-century pirate life.

Conflicting Identification and Knowledge Gaps

Researchers have not confirmed any wreck as Henry Avery’s *Fancy*; the absence of unique fittings such as a ship’s bell leaves attribution speculative. The total count of pirate-burned ships in the harbor remains unknown.

Future Research and Public Outreach

The findings will appear in the upcoming Wreckwatch TV documentary *Mystery of the Pirate King’s Treasure* and a forthcoming *Wreckwatch* magazine issue, while the team plans additional harbor dives.

Verbatim Quotes

  • “After seizing a ship and taking its cargo, cannon and fittings, pirates had to get rid of all signs of their crime,” — Michael Pateman, Director, Bahamas Maritime Museum
  • “Burning ships to the waterline was an infamous tactic to hide felony from authorities.” — Michael Pateman, Director, Bahamas Maritime Museum
  • “Tides flush dangerous currents through its waters twice a day. It's home to notorious packs of sharks. This was a risky expedition with high chances of finding nothing.” — Chris Atkins, Explorer and Project Filmmaker
  • “The absence of cargo remains might make the pirate ship scenario more likely, however, he added.” — Sean Kingsley, Marine Archaeologist, New Providence Pirates Expedition
  • “Nassau's Piratetown was more like a combination of a cowboy frontier town meets an 18th-century holiday camp.” — Sean Kingsley, Marine Archaeologist