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Full Breakdown

The Death of Robin Hood: A Gritty Re-imagining Filmed in Northern Ireland

9/4/2026, 2:18:42 PM

Film Overview

"The Death of Robin Hood" retells the 17th-century ballad of the outlaw’s final days, presenting an aged Robin Hood as a violent, hunted figure rather than the traditional heroic legend. The film stars Hugh Jackman as the weary outlaw and Jodie Comer as Sister Brigid, a prioress who tends to his injuries. It premiered in UK cinemas on 4 September and runs at Queen’s Film Theatre in Belfast through 10 September.

Production Background

Writer-director Michael Sarnoski, known for *Pig*, adapted the ballad into a darker narrative that explores the cost of violence and the possibility of redemption. Backed by Northern Ireland Screen, the production was shot on location across Northern Ireland and the Republic of Ireland, including the Mourne Mountains, Glenarm Bay, the Rock of Cashel, Silent Valley, Tollymore Forest, Castlewellan Forest Park, and Murlough Bay, with interiors captured at Belfast Harbour Studios.

Cast and Characters

  • Hugh Jackman – older Robin Hood, who described the shoot as “spectacular.”
  • Jodie Comer – Sister Brigid, a healer nun who nurses Robin back to health.
  • Bill Skarsgård – Little John.
  • Murray Bartlett – “The Leper.”

Tabitha Smyth, a Belfast-based actress, appears in a small role as Sarah.

Visual Style and Cinematography

Pat Scola’s cinematography uses 35 mm film to give the story a grounded, historically raw texture. Reviewers highlighted the muted palette and the lush framing of Irish landscapes, reinforcing the film’s somber tone.

Release and Reception

The film opened in UK cinemas on 4 September and is showing at Queen’s Film Theatre in Belfast until 10 September. Critical responses vary: RTE praised Jackman’s “monster-like” performance and suggested appeal to fans of mature superhero dramas, while Viewdigital doubted its box-office potential, forecasting a stronger future on streaming platforms. Radio Times gave three out of five stars, calling it a “sombre, pensive” study of morality rather than an action-driven spectacle.

Critical Perspectives

Commentary notes a departure from traditional Robin Hood portrayals, emphasizing the consequences of Robin’s past violence with Sister Brigid as a moral counterpoint. Some reviewers find the dialogue veers into “cloying” philosophy; others appreciate the intimate, theatre-like performances.

Conflicting Reports & Gaps

There is no consensus on the film’s commercial outlook. RTE leans toward a niche but enthusiastic audience, whereas Viewdigital anticipates limited box-office success and a likely shift to streaming. No concrete box-office figures have been released.

On-the-Ground Report

Tabitha Smyth described her experience sharing the screen with A-list talent and highlighted Northern Ireland’s emerging status as a prime filming location.