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AI-Generated Greta Garbo Stars in SKF Ball-Bearing Commercial

By Drooid · · How we work

The AI Garbo Commercial: Core Details

A 99-second advertisement for Swedish ball-bearing manufacturer Svenska Kullagerfabriken (SKF) features a fully digital recreation of Hollywood icon Greta Garbo. The AI-generated performance intercuts the star, rendered in a silk blouse and slacks, with shots of ball bearings, and includes a line referencing her famous 1932 quote, “I want to be alone.” The commercial marks the first time Garbo’s likeness has appeared in moving images created without using any of her protected film footage.

Historical Link Between Garbo and SKF

In 1921, a 15-year-old Greta Gustafsson (later Greta Garbo) appeared in a short promotional film for SKF, an offshoot of clothing commercials she performed for a Stockholm department store. That early appearance preceded her rise to fame in silent cinema and the early talkies.

Creation Process and Technical Choices

Because Garbo’s original film material remains under copyright, the creators avoided feeding any moving or still images of her into the AI system. Instead, they employed text prompts describing her “ice-blue eyes” and “wavy blond bob,” overlaying the output onto a human actor. Voice synthesis was derived from an early recording of Garbo’s speech. The generation pipeline incorporated models from China’s Seedream and Google’s Nano Banana Pro. Critics have labeled the practice “ghostploitation,” noting the ethical concerns of posthumously reviving deceased performers.

Estate’s Response

Craig Reisfield, one of three relatives who manage Garbo’s estate, described the result as “totally impressed” with the captured mannerisms, dress, facial images, and voice. Reisfield emphasized the estate’s aim to “preserve, protect, and enhance” Garbo’s legacy while remaining “very discerning” about partnerships.

Industry and Ethical Reactions

The advert has sparked debate over the ethics of digital resurrection. While some film studios are investing in AI-enabled productions, the lack of a clear legal framework for using a deceased star’s likeness has prompted calls for stronger “guardrails.” The term “ghostploitation” reflects concerns that such technology could commodify a person’s image without their consent.

Official Statements & Responses

  • SKF indicated that it does not need to negotiate with major movie studios for the AI Garbo usage, as the company can license the likeness directly from Garbo’s relatives.
  • Garbo’s estate reiterated its policy to be “very discerning” on collaborations, focusing on preserving the actress’s reputation while exploring new digital opportunities.

Verbatim Quotes

  • “I was totally impressed: the mannerisms that they could capture and manipulate, her dress, facial images and even her voice,” — Craig Reisfield
  • “I won’t say no, especially having seen what I’ve seen. It’s pretty incredible and lifelike. So what’s to say that you can’t bring Greta Garbo back in some kind of fashion in a film role?” — Craig Reisfield
  • “So to imagine her as an AI-enabled actor given her track record and ability to captivate and connect with audiences of both men and women isn’t inconceivable.” — Craig Reisfield

What’s Next

SKF has signaled willingness to license the AI Garbo likeness for additional film projects, suggesting that similar posthumous digital recreations could appear in future advertising or cinematic productions. The estate’s openness to such collaborations hints at a potential expansion of AI-generated performances of classic stars, pending further ethical and legal scrutiny.